![]() ![]() ![]() The picture is about espionage, and the only question that’s raised in the story is to find out what the spies are after. My best MacGuffin, and by that I mean the emptiest, the most nonexistent, and the most absurd, is the one we used in North by Northwest. I’m convinced of this, but I find it very difficult to prove it to others. The main thing I’ve learned over the years is that the MacGuffin is nothing. In his 1962 interview with François Truffaut, Hitchcock explains: Some of the characters may care about the MacGuffin, but the audience certainly does not. ↑ The Encyclopedia of Alfred Hitchcock (2002) by Thomas M.The MacGuffin is always particular - often to the point of absurdity - while the hero’s motivation is universal.↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 136.↑ British newspapers in February 1930 initially reported that Enter Sir John would be a trilingual production, presumably including a French adaptation.Helen Simpson - original novel ("Enter Sir John").Clemence Dane - original novel ("Enter Sir John").the Hitchcock cameo - walking past the scene of the crime.hero falsely accused - in this case it's the heroine Diana.Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images). Murder! (1930) - Optimum Releasing (UK, 2007) - part of a box set Murder! (1930) - Lionsgate (USA, 2007) - part of a box set Meurtre (1930) - Studio Canal (France, 2008) web links to information, articles, reviews, etc.But it was too sophisticated for the provinces." See Also.įor further relevant information about this film, see also. Speaking to Truffaut, Hitchcock summarised Murder! as "an interesting film and was quite successful in London. Hitchcock shows great ingenuity in the grouping and isolation of his sounds and a visual adroitness which constantly evades the obstacle of dialogue though it cannot altogether escape it." In a December article reviewing the progress of sound films, The Times commented that "Mr. įilming wrapped during May and the editing of both versions of the film was completed before the Hitchcocks took a short break in August. The timing was wrong and it had no rhythm. They would carefully think over what they were about to say and we didn't get the spontaneity I had hoped for. The result wasn't good there was too much faltering. The production started before the screenplay's dialogue had been fully completed and Hitchcock encouraged the cast to improvise their lines during the unfinished scenes: I would explain the meaning of the scene to the actors and suggest that they make up their own dialogue. Klaren and Herbert Juttke.įilming began on both versions of the film in March 1930. The German version was written by Georg C. Mycroft, with Alma Reville working on the scenario. The novel was adapted by Hitchcock and Walter C. Studio head John Maxwell selected Enter Sir John to be such a production and Hitchcock travelled to the Süd-Film studio in Berlin to discuss a German version of the film - eventually released in 1931 as Mary. The two then collaborated on Author Unknown (1930) and a follow-up to the first book, Re-enter Sir John (1932).įor several years, British International Pictures had been partnering with European studios to create bilingual productions - using a different cast, the foreign language version of the film would be shot at the same time as the English version. Sir John sets out to find the real murderer before Diana's death sentence is carried out.Īfter completing Juno and the Paycock, Hitchcock directed the short An Elastic Affair and was involved with the musical comedy review Elstree Calling.Įnter Sir John was the first of three detective novels written by Helen Simpson and Winifred Ashton (under the pseudonym of Clemence Dane) and published in 1928. Diana is tried and convicted of the murder, but Sir John Menier a famous actor on the jury is convinced of her innocence. An actress in a travelling theatre group is murdered and Diana Baring, another member of the group is found suffering from amnesia standing by the body. ![]()
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